French actor Alain Delon, who melted the hearts of millions of film fans whether playing a murderer, hoodlum or hitman in his postwar heyday, has died, French media reported on Sunday. He was 88.
Delon had been in poor health since suffering a stroke in 2019, rarely leaving his estate in Douchy, in France’s Val de Loire region.
With striking blue eyes, Delon was sometimes referred to as the “French Frank Sinatra” for his handsome looks, a comparison Delon disliked. Unlike Sinatra, who always denied connections with the Mafia, Delon openly acknowledged his shady pals in the underworld.
In a 1970 interview with the New York Times, Delon was asked about such acquaintances, one of whom was among the last “Godfathers” of the underworld in the Mediterranean port of Marseille.
“Most of them the gangsters I know … were my friends before I became an actor,” he said. “I don’t worry about what a friend does. Each is responsible for his own act. It doesn’t matter what he does.”
Delon shot to fame in two films by Italian director Luchino Visconti, Rocco and His Brothers in 1960 and The Leopard in 1963.
He starred alongside venerable French elder Jean Gabin in Henri Verneuil’s 1963 film Melodie en Sous-Sol (Any Number Can Win) and was a major hit in Jean-Pierre Melville’s 1967 Le Samourai (The Godson). The role of a philosophical contract killer involved minimal dialogue and frequent solo scenes, and Delon shone.
Delon became a star in France and was idolised by men and women in Japan, but never made it as big in Hollywood despite performing with American cinema giants, including Burt Lancaster when the Frenchman played apprentice-hitman Scorpio in the eponymous 1973 film.
In the 1970 film Borsalino, he starred with fellow French actor Jean-Paul Belmondo, playing gangsters who come to blows in an unforgettable, stylised fight over a woman.
Crowning moments also included 1969 thriller La Piscine (The Swimming Pool), where Delon paired up with real-life partner Romy Schneider, in a French Riviera saga of jealously and seduction.
Troubled man
Born just outside Paris on November 8, 1935, Delon started life on the back foot: he was put in foster care aged four after his parents divorced.
He ran away from home at least once and was expelled several times from boarding schools before joining the Marines at 17 and serving in then French-ruled Indochina. There, he got into trouble over a stolen jeep.
Back in France in the mid-50s, he worked as a porter at Paris wholesale food market, Les Halles, and spent time in the red-light Pigalle district before migrating to the cafes of the bohemian St. Germain des Pres area.
There he met French actor Jean-Claude Brialy, who took him to the Cannes Film Festival, where he attracted the attention of an American talent scout who arranged a screen test.
He made his film debut in 1957 in Quand la femme s’en mele (Send a Woman When the Devil Fails).
Sulphurous friends
Delon was a businessman as well as an actor, leveraging his looks to sell branded cosmetics and dabbling in race-horses with old underworld friends. He invested in a racehorse stable with Jacky “Le Mat” Imbert, a notorious figure in a thriving Marseille crime scene.
Delon’s more louche friendships exploded to the surface when a former bodyguard-cum-confidant, a young Yugoslav called Stefan Markovic, was found dead in a bag, with a bullet in his head, discarded in a rubbish dump near Paris.
The actor was interrogated and cleared by police but the “Markovic Affair” snowballed into a national scandal.
The man police charged with the Markovic murder — he was later acquitted — was Francois Marcantoni, a Corsican cafe owner and friend of Delon who thrived in the hustle and bustle of the Pigalle district in the aftermath of World War Two.
Outspoken
Delon was outspoken off-stage and courted controversy when he did so — notably when he said he regretted the abolition of the death penalty.
In a January 2018 interview, Delon told Paris Match he was fed up with modern life and had a chapel and tomb ready for him on the grounds of his home near Geneva, and for his Belgian shepherd dog, Loubo.
“If I die before him I’ll ask the vet to let us go together. He will give the dog an injection so he can die in my arms.”
Delon’s last major public appearance was to receive an honorary Palme d’or at the Cannes film festival in May 2019.
In his last years, Delon was the centre of a family feud over his care, which made headlines in French media.
In April 2024 a judge placed Delon under “reinforced curatorship”, meaning he no longer had full freedom to manage his assets. He was already under legal protection over concerns over his health and well-being.